The audiovisual performance is based on generative audio and visuals and controlled by an unconventional spatial position controller, that is, in fact, an early 2000s video game device called Gametrak.

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The string tension between performers’ hands and Gametrak controller constrains the movements creating a unique embodiment. This communication between the performer and controller defines the design of the digital instrument and inspires a certain type of physical/musical gestures and aesthetics of the visual part.